Review of "Spoke Count" at the Chorus Gallery

On Saturday night I stopped by the opening of Spoke Count, a group exhibition at the Chorus Gallery in Somerville Mass., which is affiliated with Open Bicycle. As someone who has both exhibited at and curated a fair number of shows, I thought it would be interesting to write an informal review of this one. Despite my friendly affiliation with Open, I believe that I can be objective, and I hope the organisers of the show will not take offense at anything expressed here.

Spoke Count is a collaborative installation of over 100 small works about bicycles, submitted by local artists. Each piece is no greater than 8" in one direction and the work is arranged in a large grid along the gallery's main wall, in much the same manner as we are accustomed to seeing a set of "thumbnails" in a virtual image gallery.

I felt that arranging the work in this way made an impact on several levels. In the most basic sense, it illustrated the sheer variety of possibilities when the concept of "bicycle" is evoked. Submissions included images of vintage 3-speeds, slick track bikes, stately roadsters, and even penny farthings.

Additionally, it showed the variety of personalities of the people who ride bicycles. The type of artwork a person makes, the colours they choose, the themes they portray - all of this is information that gives the viewer a glimpse of the artist's inner world.

There were many, many different inner worlds on display, rather than just some single stereotypical notion of "cyclist".

Indeed it was refreshing that the exhibition was not dominated by glossy images of excruciatingly hip young people doing excruciatingly hip things with track bikes. It really was representative of the community at large.

And the fact that all the pieces are the same size and priced equally, communicated the idea that everybody's vision of "bicycle" is equally valid, equally important, equally valuable.

In addition to the grid of small works on the main wall, Spoke Count displays several bicycles that are of historical interest. These hang suspended from the ceiling, their gentle swaying evoking the comparison of cycling to the feeling of flying. Among the bicycles on display is my 1936 Raleigh Lady's Tourist (not for sale).

All in all, I felt that Spoke Count is a successful exhibition both in terms of the way it is put together and in terms of what it communicates. An additional question that is often asked in a themed show like this, is whether it stands on its own as an art exhibition per se, rather than just being a show for bicycle enthusiasts. For the most part, my answer to that would be "Yes". Joshua Kampa knows what he is doing when it comes to aesthetics and critical theory. And in terms of relevance, Spoke Count succeeds as a meditation on a significant social change that is currently taking place in the community. It is a small, cozy show that does not attempt any grand gestures. And yet it sends a strong, personal message.

In general, I would describe the Chorus Gallery not as a place that exhibits "bicycle themed art", but as a gallery featuring a diverse selection of young local artists whose work is occasionally related to the theme of bicycles or self-propelled movement. Having said that, one thing I believe would help the gallery affirm itself as a community art space, is making an effort to reach out to a more diverse audience. The openings at Chorus are always exceptionally well attended. But in some previous ones I have been to, there was a feeling that all the attendees knew each other and that the event was more of a party than an art opening. And while such an atmosphere is fun and full of energy, it can feel alienating to visitors who have come to see the art and are not part of "the scene". At Spoke Count, I noted a more diverse group of visitors than at previous openings, and I hope this trend continues. As a community art space in Union Square in Somerville, the Chorus Gallery has tremendous potential and I am looking forward to its future shows.

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Fun in the Winter Sun

I have bragged in the past about the Co-Habitant's wonderous winter commuting skills. But truth be told, is that really so impressive to accomplish on a cushy modern Pashley? Yesterday, he tried riding Rodney - his vintage Raleigh DL-1 with rod brakes - and reports his experience:

In a vintage bike, the freezing temperatures can really effect the brakes and steering. The cold stiffens the grease in the headset, making the steering extremely stiff. Of course you can rebuild the headset, but this takes either skill and time, or money to spend at the bike shop - so it is yet another issue to take into consideration when buying old bikes. Similarly, old brake pads tend to harden in the cold, compromising braking performance considerably. On regular caliper brakes, the brake pads can be replaced with new salmon KoolStops to remedy the problem. But rod brakes are incompatible with the KoolStop pads, so there is not much that can be done really.

So there you have it: a vintage bicycle with rod brakes is great in the snow... unless you need to stop or safely turn. Of course none of that prevent the Co-Habitant from riding it around the neighborhood - though thankfully, he does not plan to commute on it to work.

And we're out there having fun

in the cold Boston winter sun

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Little Green Bike: Trying the Raleigh Twenty

Behold the glorious Raleigh Twenty: a famous and handsome ancestor of the current generation of folding bikes. I spotted this bicycle outside of Bicycle Bill in Allston, MA and could not resist stopping by to try it. It is in excellent cosmetic condition and the price they are asking for it is very fair. Had I come across it a couple of months ago, the bike would probably have been mine, but at the moment I can't afford it. Still, we had a good time together while it lasted.

The Raleigh Twenty was produced between 1968 and 1984, reaching its height of popularity in the mid-1970s. It was Raleigh's answer to the more complicated and expensive Moulton. The name "Twenty" comes from the 20" wheel size, and it existed in both folding and non-folding versions. These bikes came in a range of colours, but the classic Raleigh green is my favourite. This particular model was produced in 1972 (according to the hub) and is a 3-speed with the typical Sturmey Archer AW hub and caliper brakes.

As you can see, this one is the folding version. The lever on the horizontal tube is used to fold the bike in half. The levers on the seat tube and head tube are used to retract the seat post and handlebar stem. I did not try to fold it up in the store, but you can see some images of it folded here.

I had seen Raleigh Twenties in person before, but this was the first time I examined one closely and rode one. As first impressions go, it is certainly a charming bicycle: The handlebars look like antlers and somehow the bike seems to be always smiling. Just a friendly little reindeer, waiting for you to ride it...

The Twenty is large compared to current notions of a "folding bike". To me it felt more like a children's bike or a bike for a very short person. It is also quite heavy, and so I don't think it would really be functional as a folder in the sense that you could easily carry it around on your person after folding it up. However, I think it would be functional for travel: When folded, it could easily fit into the back seat of any car or, I imagine, into a large suitcase for airplane travel. It will also take up considerably less space in your home than a full sized bike. You could store it in a closet or behind some large piece of furniture.

What the Raleigh Twenty lacks in compactness, it makes up for in performance. Sheldon Brown described it as a bike with 20" wheels that performs like a 26" wheel Raleigh Sports. I agree with this assessment. Had I kept my eyes closed, I would not have been able to tell the difference between the ride on my formerly owned Lucy Threespeed and this bike. Somehow the small wheels do not feel small once you are riding the bicycle.

But what really makes the Raleigh Twenty functional as a "regular bike" are the extras: It is fitted with fenders and a large, sturdy rear rack. It was popular to affix baskets and panniers to this bike and to use it as a grocery-getter. It accommodates both front and rear loads comfortably and was even marketed as "The Shopper". All in all, I would recommend the Raleigh Twenty as a fun, simple and useful town bike, especially if you are on the shorter side and are having trouble finding bicycles that fit you. The fact that it can be folded up for travel is an extra bonus. Of course in addition to its practical benefits, the Raleigh Twenty is quickly becoming a cult collector's item. However, don't let that stop you from riding it!

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Chance Encounters and Boston Vintage Bikes

Taking advantage of the mild temperatures a couple of days ago, we went for another ride along the Charles River Trail, this time a nice long one. We were taking a break to photograph the bikes (a totally normal part of any day, right?), when I heard a very polite yet excited voice from the trail. Was I by chance the person from Lovely Bicycle? I guess of all the girls out there riding loop-frame bicycles with enormous red bows on the basket, I must be especially recognisable? I attribute it to my unique facial features.

We invited the gentleman to join us on the dock, and a fest of bicycle photography and discussion ensued.

Apparently, he collects photos of people photographing him. So this is my picture of him, taking a picture of me taking a picture of him.

And this is his picture of me, taking a picture of him taking a picture of me taking a... Really, the philosophical implications are staggering. You can see this and many other bicycle related pictures on verdammelt's photostream on flickr.

Here is a shot showing off his bicycle better (admittedly posed in what Steve A. calls my "Lenin in Finland" stance). The bicycle is a vintage BSA 3-speed step-through, which he found abandoned, rescued, restored back to health, and now uses as a winter bike.

Here is a somewhat blurry close-up. Our new acquaintance is proof of how common these rare vintage bicycles are in Boston. A BSA randomly left abandoned on the streets? Yup. It is a pretty cerulean-blue colour with nice lugs and a beautiful fork crown. You can't see them here, but the bike also has shimmery red grips on the handlebars that set off the blue frame quite nicely.

And I love the unusual saddle. It is sprung pleather, with the look and feel of an old leather jacket - not the texture one normally sees on saddles. Overall, this is an excellent rescue, and the owner seems to care about bicycle and to like riding them very much. We enjoyed meeting him and thank him for posing for these photos!

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Riding in a Winter Wonderland

On Sunday, we had a truly beautiful winter day. Because the blizzard hit Boston on a weekend, the snowplows were not as active as they would have been during the working week. For the first half of Sunday, the entire neighborhood lay covered in a blanket of pristine white snow, and only around lunchtime did people begin emerging from their houses to reluctantly shovel their driveways.

Despite being down with a minor cold, Velouria could not sit still in the blizzard. Stir-crazy in our small apartment and desperate to feel the fresh snow under her tires, she begged me to come out just for a bit, at least to give it a try. How could I resist her charms?

She posed for me next to the fence while I photographed her this way and that. A kickstand was not necessary, because the foot-deep snow enveloped her wheels and functioned as a bicycle rack. With her black frame and cream tires, Velouria was stunning in the snow. The aesthetic experience of seeing her thus even made up for carrying her down the front stairs - which had been semi-visible when the Co-Habitant left for work several hours earlier, but were now completely buried in snow. With the bike in my arms, I slowly extended my toe and felt each step under the snow before proceeding onto it. With the 40lb DL-1 this was doable, but I would not have been able to execute the same maneuver with the heavier Pashley.

The snow was still falling as we prepared to head out, quickly covering the saddle with a thin layer of powder.

Upon Velouria's advice, the voyage I chose was an easy and safe one: a trip to a grocery store that is just a 6 minute walk (3 minute ride under normal conditions) from our house via a secret route through dead-end back streets. There would hardly be any cars there, and if I found myself unable to ride I could just walk the bicycle the rest of the way to the store and back.

I took my camera along and had grandiose plans to stop every so often and photograph Velouria against the backdrop of various winter scenes. However, the visibility was so poor and the snow so... snowy, that getting off the bicycle to pose it became the farthest thing from my mind once we were underway. Instead I offer you views of a few landmarks.

"No Outlet" - Hah! Perhaps not for cars, but for a bicycle the gaps between fences will do just fine.

Arriving to the grocery store via the back parking lot.

At this point I will give you my ride report: Basically, my biggest problem was visibility, or rather, the lack thereof. These pictures do not really capture how difficult it was to see in front of me as I was cycling, but the falling snow obscured my vision completely. In these back alleys that was okay, but I cannot imagine cycling on real city roads in these conditions. As for the bicycle's behaviour... It was fine. Granted, I was so paranoid about falling, that I cycled very slowly and made ridiculously wide turns. Riding through the snow in this manner felt similar to cycling on the sandy fire trails on Cape Cod, only slower.

I did not experience a sense of slipping on the snow while going straight or while making turns, but again, I was intentionally cycling very slowly. The tires on my DL-1 are the Schwalbe Delta Cruisers, 28" x 1 1/2". By the time I returned home from the grocery store (having purchased a bag of raw cranberries and some chocolate), the snow had made its way into every single crevice of the wheels, covering the spaces between the spokes and dress-guard cords.

If you click to enlarge the picture above, you can see that the snow also made its way into the gaps around the brakes. This is a problem not just for bicycles with rod brakes, but for any bicycle with rim brakes. The snow lodges itself in between the rim of the wheel and the brake pad immediately, increasing stopping time considerably. Because I was cycling so slowly, this did not really matter; at that speed I could stop the bicycle by merely putting a foot down. But if you plan to cycle with anything resembling normal speed, I think drum or disk brakes are the only solutions that will provide adequate stopping power.

This short but beautiful winter adventure was more than enough for me and Velouria. We were happy to return to the warmth of our home - both of us trailing lots of snow. That snow on the saddle accumulated during the time it took me to drag the bicycle up the front stairs. If you don't want snow on your leather saddle, consider swapping it out for a vinyl one for the winter. For me, a little precipitation on the leather is okay though.

I did experience a panicked sense of remorse when I saw the extent of snow accumulation on the bicycle once we got home, and the next 30 minutes after this photo was taken were spent with a rag, frantically wiping off the moisture. I have been assured however, that the snow in itself is not bad for the bicycle; it is only the salt that is damaging. Thankfully, the roads had not been salted yet at the time of our ride. Velouria enjoyed the refreshing tour through our local Winter Wonderland. She is up for doing it all again - as long as I promise to go slowly, keeping her rod brakes in mind.

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Dirty Little Secret

Sure, at first glance this is just another filthy Sturmey Archer hub. Those who know bicycles will see that it's an AW model, which identifies it as being from a vintage 3-speed. But look closer still. Anything unusual? If you have a good eye, you can see the words at the very bottom of the hub: "Patent applied for". Patent applied for? Why, this must be one of the earliest Sturmey Archer hubs ever made! What bicycle can it possibly belong to?

Meet my "dirty little secret". She was given to me about a month and a half ago, but I kept quiet, because I am not yet certain what I will do with her. From a historical point of view, this is an amazing find: an early Raleigh Tourist in all original condition; year of production most likely 1936. This early Raleigh is the predecessor to the DL-1 Lady's Tourist I so love, but there are some notable differences between them. This early bicycle has a geometry that I find somewhat puzzling: The seat tube is quite long (almost the same size as on the 22" DL-1), but the wheelbase is extremely short, making for a crowded "cockpit" with very little room between the saddle and the handlebars. This makes the bicycle seem much too small for me, even though the saddle height is just right for my size. I would love to know the reasoning behind this construction.

A very early Sturmey Archer 3-speed quadrant shifter. This preceded the trigger shifter that we are used to seeing on the handlebars of vintage 3-speeds. On diamond frame bicycles, the quadrant shifter was mounted on the top tube. On this bicycle it is mounted at the very top of the "loop" tube. Aside from some fading due to age, this beautiful shifter is in perfectly preserved condition. The whole bicycle, in fact, seems to be frozen in its original state, save for a coat of surface rust. The rod brakes are attached via braze-ons on the inside of the fork (as opposed to clipped on, as became the standard on later models) and function extremely well. The chrome on the handlebars and rod levers is in excellent condition.

The original chaincase is entirely intact and dent-free. Notice also the holes drilled for skirtguards in the rear fender! I wonder what sort of guards this bicycle had when it was being ridden 70+ years ago.

The rear reflector is glass, not plastic.

And I believe the pump is original as well, though the handle has split open. It is engraved with a Greek-themed motif. Aside from the split pump, other aspects of the bicycle that are damaged beyond repair are the melted rubber grips (see first picture) and the cracked tires. The wheels themselves look extremely rusty, but some have suggested that they might be salvageable by a soaking in an oxalic acid bath.

The bottom line however, is that I am at a loss about this bicycle. Under the circumstances in which it was given to me, it was pretty much impossible not to take it. But I have no idea what to do with it! Even in its present state, I could probably sell it and make a bit of money, but the thought of doing that makes me sad. I could restore it and probably make quite a bit of money, but that's sad as well. Plus it looks like I will be having a very busy winter, and restoration projects might prove impossible with everything else I already have on my plate. Perhaps I should look into donating it to a museum? In the meantime, this 1930's beauty is being kindly housed by Open Bicycle. For anybody local who is interested, the bike is available for public display (but it is not for sale). Ideas for what to do with it are most welcome. Perhaps it would make a good winter bike? (I kid, I kid!)

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High Wheel in Somerville

This cool Penny Farthing is often left locked up outside a local bike shop, and a couple of days ago we had a chance to investigate it. I was surprised at how large this thing is - nearly the same height as the Co-Habitant.

We debated whether it was antique or a replica, and it turned out to be a replica, made by Rideable Bicycle Replicas in California. It's funny that the bike is locked to an outside rack with a u-lock; that makes it seem as if at any moment somebody will come out, unlock it and pedal it away down the streets of Somerville.

But as you can see, no one is riding this thing anywhere - the tires are broken into pieces, and other components look aged and weathered, most likely from keeping the bicycle outdoors during the cold seasons.

Penny Farthings are fascinating, because they are so distinct and old-fashioned looking. They are direct drive, and I imagine that riding one is quite challenging. I am not even sure how to get on and off it - let alone how the ladies used to ride these wearing skirts. But they would definitely provide great visibility in traffic!

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Antique Fetish

image from collectvelo

For those who like vintage bicycles, just how far back do you go? For me, bicycles from the 1900s to the 1930s (like the 1900s Elvish above) are absolute eye candy, and while I would not use them as commuters, I can spend hours sighing over their beauty. So I wanted to share some of my favourite photos of antique bicycle components. With their gorgeous forms and elaborate engravings, these seem especially appropriate during the holiday season.

image from radlmax

Antique bicycle lights. These are candle lights! I understand that oil lamps were also used. Say what you will about modern LEDs and dynamo lighting, but these antique lamps were works of art.

image from Corey K.

Wooden (?) grip with etched silver detailing and matching bell from a 1897 bicycle. I have always wondered about wooden grips, and these are the nicest I have seen by far.

image from the Bicycle Bell Museum

A Dutch bicycle bell from the early 1900s, manufacturer unknown. I am not certin, but this looks like sterling silver? So gorgeous I want to cry!

from the collection of radlmax

Probably the most beautiful fork crown and brake combo I have seen. This is from a 1925 Styriarad, made in Graz, Austria.

from the collection of rebalrid

Could this 1900 Gough & Co. saddle be one of the earliest predecessors to my Brooks B18 "Lady"?

image from Copenhagen Cycle Chic

These early Soviet crochet dressguards must have been breath-taking in their original state. This would be my ideal dressguard, if only I had the time and skill to replicate it.

from the collection of adl2k

Gorgeous chain case on a Hawthorne Flyer bicycle.

image from huubvanhughten

And of course, the beautiful vintage Gazelle chainwheel, featuring actual leaping gazelles. This has got to be the cutest chainwheel ever made - just look at the little tail and antlers! With its resemblance to a reindeer, this could even double as a holiday ornament. Anybody using bicycle components to decorate their home for the holidays?

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